Die Ölgemälde alles Ivan Argunov

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80666

Portrait of Alexander Dmitriev

Date 1802 cyf

77511

Portrait of an Unknown Woman in Russian Costume

Date 1784(1784) Medium Oil on canvas Dimensions 67 ?? 53.6 cm (26.4 ?? 21.1 in) cyf

80247

Portrait of an Unknown Woman in Russian Costume

1784(1784) Medium Oil on canvas Dimensions 67 x 53.6 cm (26.4 x 21.1 in) cyf

77710

Portrait of Catherine II of Russia

1762(1762) Medium Oil on canvas Dimensions 245 ?? 176 cm (96.5 ?? 69.3 in) cyf

80468

Portrait of Countess Tolstaya

1768(1768) Medium Oil on canvas Dimensions 96.5 x 78.5 cm (38 x 30.9 in) cyf

94886

Portrait of Countess Tolstaya, nee Lopukhina

1768(1768) Medium oil on canvas Dimensions 96.5 x 78.5 cm (38 x 30.9 in) cjr

94883

Portrait of Grand Duchess Catherine Alexeyevna

before 1762(1762) cjr

94882

Portrait of K.A. Khripunov

1757(1757) Medium oil on canvas Dimensions 73.5 x 57.5 cm (28.9 x 22.6 in) cjr

87457

Portrait of P.B. Sheremetev

Date 1760 Medium Oil on canvas Dimensions 92 x 73.5 cm (36.2 x 28.9 in) cjr

92228

Portrait of P.B. Sheremetev

1760 Medium oil on canvas Dimensions 92 X 73.5 cm (36.2 X 28.9 in) cyf

30641

Portrait of Peasant Woman in Russian Costume

mk68 Oil on canvas Moscow,Tretyakov State Gallery 1784 Russia

94885

Portrait of Princess Ekaterina Alexandrovna Lobanova-Rostovskaya, 1754

1754 oil on canvass 82*64 cjr

94884

Self-portrait

end of 1750s cjr

Ivan Argunov

Russian Rococo Era Painter , 1727/1729-1802 Russian painter and teacher. He came from a family of serfs, belonging to the Counts Sheremetev, that produced several painters and architects. In about 1746-7 he was a pupil of Georg Christoph Grooth (1716-49), who painted portraits of the Sheremetev family. With Grooth, Argunov worked on the decoration of the court church at Tsarskoye Selo (now Pushkin). A full-length icon of St John of Damascus (1749; Pushkin, Pal.-Mus.), in Rococo style, is distinguished by its secular, decorative character. The Dying Cleopatra (1750; Moscow, Tret'yakov Gal.) is typical of Rococo decorative painting of the mid-18th century, with its striking combination of light, soft tones. Argunov subsequently painted in a quite different style, mainly producing portraits, of which about 60 are known. Among the first of these are pendant portraits of Ivan Lobanov-Rostovsky and his wife (1750 and 1754; St Petersburg, Rus. Mus.), in which the sitters are idealized, as in ceremonial court portraits.

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